It was part of a wave of "post-May 1968" French cinema that sought to tear down traditional bourgeois values and politeness.
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Watching Going Places in the modern era can be a jarring experience. It is a film that refuses to apologize for its characters' reprehensible behavior. It was part of a wave of "post-May
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The 1974 French film Going Places (originally titled Les Valseuses ) is a landmark of European cinema that remains as provocative and controversial today as it was five decades ago. Directed by Bertrand Blier, the film served as a breakout vehicle for stars Gérard Depardieu, Patrick Dewaere, and Miou-Miou. It is a film that refuses to apologize
While many critics praise the film for its honesty and "anarchic energy," others criticize it for its treatment of female characters and its perceived misogyny. The characters’ treatment of women is often degrading, reflecting a specific, albeit problematic, era of "macho" cinema.
The movie captures a sense of nihilism where the journey itself is the only goal, even if it leads nowhere. Why "Going Places" Is Still Discussed Today