Reaching the extreme high register (above High C) with more stability.
Playing for hours without the "mouthpiece mold" or lip fatigue that typically cripples players. the balanced embouchure jeff smileypdf work
The method often advocates for a slightly forward jaw to ensure the lips are aligned and vibrating closer together. Reaching the extreme high register (above High C)
Finding the "center" of the pitch more consistently. the balanced embouchure jeff smileypdf work
